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So, we all know how the moon offers an inhospitable environment for humans, and it just doesn’t make sense for anyone to simply “fly to the moon and back” to get someone to profess their love to you. “I would fly to the moon and back if you’ll be… Even musicians and songwriters have not spared it, particularly those who’ve penned some really sappy love songs―seems like a lovestruck heart offers ample scope to go all hyperbolic. The device is used to great effect in both, prose and poetry, especially to garner attention. The whole point of using a hyperbole is to shock the listener into paying attention to what’s being said. We know how one can’t really eat an “entire” cow, or that a “ton of bricks” is just too much for one person to actually lift.
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And besides, it’s just pure fun when we try to go overboard with our exaggerated exclamations for instance, “I’m so hungry, I could eat a cow!” or “This backpack feels like a ton of bricks on me!”. ‘Journey To The Center Of The Earth: The Musical’ plays every Thursday and Sunday at 20:00 on the dot at The Freezer Hostel.Is a figure of speech which makes use of exaggeration to make a strong impact, but is not meant to be taken literally.Įxaggeration is the one literary tool which lends an interesting twist along with an element of surprise to our language. You won’t be disappointed and,e again, it’s only a couple hours’ drive away, so you really have no excuse. Yes, ‘Journey To The Center Of The Earth: The Musical’ is something you should experience, tourist or local, musical lover or Debbie downer. But they weren’t, just rude kids with really incredible timing. They were so adept at both improvisation and classical theatre that-even when some overly amused audience members jumped on stage to join them-the actors played it off so perfectly that there was no doubt in my mind those disrespectful theatregoers were planted. The beauty of the show really is the cast. As the show journeys from representational to presentational, you might think you’re watching the breakdown of a cast. Yes, while the first act sticks strictly to Verne’s story, the actors clearly pop some acid before the second. All I’ll say is that it includes a foam insulation model of Himmelbjerget (the “tallest” mountain in Denmark), a bouncy castle, a hilariously offensive Icelandic impression by Lewis, and a finale where you as the audience wake up on stage awkwardly staring at the actors on the ground. The gags and surprises are so shrewd that I don’t want to spoil them. To be honest, the performance is hard to write about. Musicals are expensive, but this production delights in its low budget with a campy-cheap style that utilizes every object smartly and frugally.
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Musicals are ridiculous, but ‘Journey To The Center Of The Earth: The Musical’ amps that to the nth degree. Starring Kári Viðarsson as Otto, Smári Gunnarsson as Axel, his student, Stephanie Lewis in a variety of different roles, and a chorus of local children and pre-teens, the production is beautifully tongue-in-cheek. As the Freezer Hostel is only a twenty-minute drive from the famed hole, the show is pertinent, in the way that it would be if a small hotel in Bali mounted a production of ‘Eat, Pray, Love: The Opera’. The carnivalesque extravaganza presents Jules Verne’s familiar story of German professor Otto Lidenbrock’s pilgrimage to Snæfellsjökull, where he begins his fantastic voyage. I don’t like writing universally positive reviews-it feels a bit like a marketing campaign-but this show is, without hyperbole, incredible, hysterical, well thought-out and, seriously, better than ‘Hamilton’.1 That said, you cynical happiness haters, open your mind, drive the two and a half hours to Rif’s Freezer Hostel, sit your ass down on a stool, and go see the hostel’s production of ‘Journey To The Center Of The Earth: The Musical’. Musicals are a divisive subject, especially for those whose only exposure to the genre has been the film adaptation of ‘Les Misérables’ or their grandmother blasting Sarah Brightman’s version of “Memory” from ‘Cats’.